ARTISTS
Meet the creative collaborators of Forest For Trees!
Josh Tafoya, New Mexico-based CFDA Interim Member of Indo-Hispano, Genízaro, Chicano lineage, explores his family’s complicated history and rich textile tradition, inspired by a Ranching grandfather and a Weaving grandmother. Josh’s work is an exploration of old and new techniques brought into his weavings/ garments. Keeping old traditions alive, and furthering a continuing conversation of New Mexican heritage and craft, he shares a new vision of “American Fashion” and a reclamation of the “Southwestern Look”.
Meaghan Elyse is an artist working at the intersection of design, biomaterial sculpture and performance. Her work explores the precarious and porous dynamic between our bodies, other beings, and our wider ecological surroundings. Along with collaborators, she is interested in creating spaces for interaction, for rest, for dreaming, for mourning, and for healing.
Edgar Fabián Frías is a boundary-breaking multidisciplinary artist based in Los Angeles with degrees in Psychology, Studio Art, and an MFA in Art Practice from UC Berkeley. Their immersive works blend diverse artistic disciplines, challenging conventional categories. Frías explores resiliency and radical imagination through Indigenous Futurism, spirituality, and queer aesthetics.
Magali Wilensky, originally from Argentina and now based in New York, is renowned for her pioneering work in fabric manipulation. Since 2013, Magali has been dedicated to crafting immersive fabric installations, offering transformative holistic art experiences. Her work has garnered attention in publications such as “Museu Textil,” "Fiber Art Now," “New Times Miami,” and “Miami Art Exchange.”
An interdisciplinary and intersectional ecofeminist artist, Anu’s work explores poetry through the material and closely considers the importance of grandmothers in restorative justice, and a possible futurity. A published author, filmmaker, exhibiting visual artist, and climate education strategist, Anu creates in celebration of elder feminist luminaries, botanics, myth, and semiotics. Coalescing provocative language, pop iconography, and wisdom traditions, their work initiates public discourse on environmental justice.
Disengineering Society is a multidisciplinary hardware-hacking group focussing on instrument building using e-waste, resisting planned obsolescence in modes of mass production, and running workshops that hold these pursuits at the forefront. Through workshops and publications, Disengineering aims to combat “planned obsolescence” by pointing to DIY culture as a tool.
4KINSHIP is a Diné (Navajo) owned sustainable artwear brand dedicated to producing handmade, one of a kind, restored, repurposed and lovingly upcycled, artisanal and small batch products. Their inspiration is the all the surrounds them in the Southwest. The clouds, the sky, the mountains, the land, which has led their founder back to New Mexico, and back to her Diné tribe.
Carolina Ebeid is a multimedia poet and author of You Ask Me to Talk About the Interior and the chapbook Dauerwunder: a brief record of facts. Her work has been supported by the Stadler Center for Poetry at Bucknell University, CantoMundo, a National Endowment for the Arts fellowship, as well as a residency fellowship from the Lannan Foundation. A longtime editor, she helps edit poetry at The Rumpus, as well as the online zine Visible Binary. She is the current Bonderman Assistant Professor of poetry at Brown University.
Indigo Goodson-Fields is a poet, writer and birder based in Brooklyn. She served as a New York Birding Consultant on the For the Birds exhibition committee at Brooklyn Botanic Gardens. Indigo is featured on an episode of Always Be Birdin’ and The Brian Lehrer Show. Indigo is currently facilitating the Birding, Poetry and Power workshops for Field Meridian’s Nature School.
Juan Pablo Caicedo Torres (Bogotá) is an interdisciplinary artist, educator, curator, and producer with a background in cultural, human rights, and environmental organizations across Colombia, Spain, and the United States. His work encompasses visual art, performance, photography, poetry, curation, education, and public art. Caicedo Torres approaches multiple cultural and political notions from critical and communitarian perspectives, weaving themes of decolonization and counter-narratives into his practice. His work engages multiple media and often involves creating educational experiences and building cultural platforms where art catalyzes public dialogues towards social justice. He holds an MA in Arts & Public Policy from NYU Tisch and a BFA in Visual Arts from UNAL. Originally from Colombia, he is currently based in NYC, where he coordinates public programs and community partnerships at MoMA PS1.
Rose Malenfant is a multidisciplinary artist from New York, based in Brooklyn. Her work is material and process oriented, centered in cycles of the body and environment. Rose uses a variety of techniques and materials including nylon pantyhose, bioplastic, silicone, gravity and time. Her work has been exhibited by galleries throughout Manhattan, Brooklyn, and Queens including El Barrio Art Space, Atlantic Gallery, and the Factory LIC. She has received awards from The Art Students League of New York and the International Society of Experimental Artists. Rose continues to invest in her practice with the Textile Study Group of New York and The Alternative Art School. Rose was a recipient of Beam Center’s Artist in Residency Program on Governors Island, New York where she focused on textile installation and sculpture. Rose is also a recipient of the Textile Art Center Artist in residence September 2024-2025.
Peter Schumann is a German-born dancer, sculptor, painter and bread-baker and the founder and director of Bread & Puppet Theater, one of the oldest and most influential theater companies in the country.
Julie Schenkelberg was born and lives in Cleveland, Ohio. Her practice is nomadic and she frequently relocates for months at a time, throughout locations such as Detroit, Pittsburgh, NYC, Italy, Norway and more. Schenkelberg received a BA in Art History at the College of Wooster, OH, and MFA at the School of Visual Arts, NY, NY. Her work is influenced by her eighteen years of professional experience of working in the theater in NYC and elsewhere. Her mixed-media installations start with furniture, dishware, textiles, and marble, combined with construction materials, to transform notions of domesticity, to the sacred and engage with the American Rust Belt's legacy of abandonment and decay. She is represented by Asya Geisberg Gallery, in Tribeca in Manhattan, NY and Materia Gallery in Detroit, MI. Her large-scale installations have been displayed in exhibitions at art fairs, residencies, museums, artist’s spaces, sculpture parks, non profit spaces, private collections and galleries. She teaches and she is dedicated to helping emerging artists.
Samar Hussaini, a Palestinian-American fine artist based in New Jersey, is known for her captivating artwork that blends various layers of mediums and techniques. She graduated with a BFA in Art History and Studio Art from the University of Maryland before pursuing a Master's degree in communication design from Pratt Institute in New York. With a successful career in advertising, Hussaini’s design work earned her multiple awards in advertising including the Silver Award and Gold Award from DTC, as well as Creative Recognition from The One Show RX. Despite her professional success, her passion for fine art remained undiminished and she has earned several fine art awards, including the Innovative Fine Art Award from the Catharine Lorillard Wolfe Art Club in NY. In 2022, Hussaini achieved international acclaim for her participation in the Venice Biennale collateral group exhibit. Her work has been showcased in several prestigious galleries, museums, group shows, and solo shows around the world. Currently, Hussaini resides and creates her artwork in West Orange, New Jersey, where she continues to explore and push the boundaries of mixed-media fine art painting.
Maxfield Biggs (they/he) is an award-winning filmmaker, editor, and artist. After finishing a cli-fi short made entirely in NYC parks, Stomach of the Earth (2020), their focus shifted towards animated works and documentary to discover and abstract the living world around them. Maxfield co-founded Stranded Astronaut Productions with a hope to use storytelling through film in order to explore social justice and everything weird about being a human in the Anthropocene. As an artist and animator, they focus on a stripped back, DIY approach - oftentimes voice acting, scoring, and illustrating much of their own personal projects. With interests in the creation of soundscapes and experimental photography, they’ve honed in on an ability to not rely on much more than a core group of collaborators within the artist collective they co-founded. This approach allows for a more unified vision with each creative project, and grandiose ideas seem less daunting with an assured ability to complete what artistic visions they set out to explore.
Tehya Jennett (she/they) is a climate storyteller, award-winning filmmaker, and Green Producer for Stranded Astronaut Productions, an artist collective and production house focused on telling impactful stories. She is the Director of "Gen Z Mental Health: Climate Stories" (2022), which has screened for the UN and WHO, at COP27 and COP28, and at the Hawai'i International Film Festival. Tehya was selected as a 2024 Aspen Institute Future Leaders Climate Fellow, and is currently producing "Healing Lahaina", a documentary on the 2023 Lahaina wildfire. They have served as a LCOY Youth Delegate, an LA2050 Youth Ambassador, and a consultant on UNICEF publications, centering the importance of storytelling as a source of power in the discussion of climate justice. Most recently, Tehya was selected as a Creative in Residence at Painted Brain in Los Angeles and is currently exhibiting two artworks combining themes of climate emotions, material circularity, and socially engaged art practice.
Kaden Bard Dawson is a thriving creative community for artists and musicians. They have been interested in art for as long as they can remember. At an early age, they enjoyed drawing and fabricating works of art from recycled material. Currently they reside in New York City. They have worked in painting, drawing, watercolor, ceramics, fashion, and mixed media. Over the past ten years they have focused specifically on photography as the medium of choice for the expression of their creativity. They enjoy both digital and film photography, as well as experimenting with alternative printmaking, specifically cyanotype printing. They are a well accomplished artist, receiving many honors and awards for their work. Their photography has appeared in numerous art galleries and exhibitions, and has frequently been published in digital and print magazines.
Emily Pacheco is a multimedia artist working mainly in sculpture, illustration and textile design. Her work focuses on themes of playfulness, surrealism, humanity and texture and is largely created from repurposed materials.
Nina Riley is a multi-hyphenated storyteller, organizer, and scholar shifting through Brooklyn and Philly. Her artistry is rooted in ancestral memory, black queer femme praxis, and healing modalities. She's created curriculums, performances, and social justice campaigns alongside equitable humanities based organizations. She has developed her multi-hyphenated practice in the Art and Public Policy Masters Program at New York University (May 2023) where she expanded her research on performativity, corporealities, and cultural intimacies; as a freelance director and dramaturg. She’s here by way of her Mj, late father, Eugene “genuwin” Riley of west philadelphia and Ms. Gloria Jean herself.
Paris Alexander is a Brooklyn based multidisciplinary performance artist. Their origins are with the Wooster Group Summer Institute (2014–2015) they are the curator and director of la mama’s squirts, an annual queer intergenerational performance festival taking place at La Mama in NYC every June. they are one of three producers of Sylvester: a black experimental drag show, since 2021. Blending old and new, black and white, femme and mask, smart and dumb, fiction and non. referential. Hyper visual. A retro futurist. A bridge in time. An audience testimonial: “paris speaks with the dead”
Michelle Gabrieloff-Parish is a multi-ethnic artist and poet preoccupied with ancestors, art, Environmental Justice, and the deep, urgent yearning to help Earth (re)become the paradise it could be. Michelle is in constant dialogue with the past and present, trying to wrap her mind around the vast richness of Earth, the violence of our era, and scheming to reclaim our true inheritance. From the high lands of Colorado where she has lived since the age of five, much of her art is an artifact of longing for ancestral wisdom and her many homelands including Colombia, Samarkand, and the Middle East. Her poems have resonated across Colorado and are currently featured at Meow Wolf Denver.
Madre Jaguar (she/they) is a Queer, Non-Binary Intuitive Artist, Birth Doula, Oracle and Curandera of Mayan, Pipil, Nahual and Garifuna descent. Born in Los Angeles, CA to Salvadoran immigrants and raised in Mexico Madre Jaguar has always walked between the worlds. Their practice is rooted in Nature and takes inspiration from their ancestral heritage and indigenous traditions of Mexico and Central America.
Zaneta (they.them) is a queer, multi-Filipinx interdisciplinary artist and nature field recordist based in Ramapo Lenape territory. Their work in sound addresses climate action from the internal, local, and sacred experience. Drawing upon the work of their lola sa tuhód (great-grandmother) as a village hilot healer, Zaneta’s work reimagines our relationship with our local wilderness through the relationality and reciprocity of sound as a form of ecological care.
Jaguar Womban is a multidimensional healing artist, Medicine Womban and Visionary Mother of The WOMBNation. She is an intuitive herbalist, ancestral channel, poet and teacher who shares ways to connect to Mother Earth using Plant Medicine and Ceremony. In both her private TEAsessions and monthly virtual New Moon WombSteam, Jaguar teaches how to use the unique self-care practice of WombSteaming as a Ritual of Prayer and a Sacred Tool to awaken our innate Womb Wisdom and Divine Internal Guidance System.
Lydia Dean Pilcher is an artist, filmmaker, and two time Emmy winning and Oscar nominated producer. She is founder of the New York based production company Cine Mosaic, working in the international landscape of cinema and multicultural storytelling. Her director credits include the WWII female spy thriller, A Call to Spy (IFC Films), and the climate narratives Radium Girls (Amazon) and Homing Instinct, a science fiction multi-screen film installation (based on a story from Octavia’s Brood: Science Fiction Stories form Social Justice Movements). A long time cultural strategist and climate leader, Pilcher works with the UN initiative Entertainment and Culture for Climate Action, and is involved in leading efforts to promote climate storytelling on screens and new media. Pilcher is a Professor of Climate and Storytelling Arts at the Columbia Climate School.
Eva Arroyo is an ecologist and zine maker who bridges gaps between scientific observation and raw emotion. Arroyo's work began as a response to scientific data, evolving into a practice that facilitates collective processing and action. Through the medium of art books, Arroyo explores themes of memory, memorial, and nostalgia - emotions central to her experience of loss in the climate crisis. Collaboration is crucial in her practice. Arroyo's zines blur the lines between art, poetry, and emotional archive. Materials play a crucial role, with handmade papers and collage elements creating tactile experiences that complement the emotional content. Arroyo explores the gaps between what we feel and how we express those feelings, creating an intimate but playful sanctuary for overwhelming emotions.
Benjamin Von Wong is a hidden gem in the climate movement, seamlessly blending artistry with catalytic action and collaboration. Von Wong's impact isn't confined to galleries or online platforms; his work serves as foundational material in art classrooms across the globe, inspiring the next generation of climate advocates. His installations and photographs—such as the 4-story tall Giant Plastic Tap showcased at the United Nations Headquarters, the Perpetual Plastic Machine commissioned by Greenpeace, and the Guinness-recognized Strawpocalypse crafted from 168,000 plastic straws—have captivated millions, becoming cornerstones in conversations that prompt nonprofits, corporations, and governments to "Turn Off The Plastic Tap." His artistry transcends mere visual appeal, underlining the essential role of art in climate discourse. Beyond drawing attention, Von Wong actively raises significant funds for frontline communities, often employing local talent and channeling resources where they matter most.
Christy Rupp is a conceptual artist and citizen scientist, who's work is informed by the study of animal behavior and habitat. Since the late 70’s Rupp has collected and worked with discarded material to consider its intervention and importance in the food web. Growing up in the Great Lakes rustbelt of the ’50s and ’60s, she was aware at an early age how the language we use to describe the environment establishes our place in the natural world. Rupp highlights that our perceptions are as much framed by stories of waste as they are of wonder. Upon moving to NYC in the late ’70s, like many artists, Rupp was fortunate to be a participant in the petri dish of economic decline and urban ecology, and for the past four plus decades a focus on Discard Studies has mobilized her sculpture practice. Rupp has come to believe that although the landscape of ecocide is a sad place, it is also a place of rebirth.
Nicki Koning (they/them) is a fiber artist working with themes of climate resilience, grief and hope originally from Missoula, Montana, based in New York. They work at the intersection of printmaking and sculpture through recycling paper, envisioning a future where excess paper and packaging are a remnant of a time of unchecked production. Drawing on the bodily associations of paper pulp, they make compostable art that can degrade, rot, and interact less harmfully with the environment and viewers. They are also interested in spirituality, mental health, and nature.
Dejah Gomez is an inimitable talent, accomplished and seasoned vocalist with a solid history of achievement in music entertainment. Dejah is committed to building you up, enhancing the quality of your life, and promoting a heightened state of awareness for greater clarity, intention, and purpose through music medicine and spiritual counseling.
AC Diamond is a sound and media artist living and working in Brooklyn, NY. Their practice is holistic, combining electronics, recording, computing, and sifting through archives to sonify the unheard and the unseen.
La Brujas Club was created to be a sanctuary for self-care and storytelling. Our platform is a beacon of hope and healing, offering resources that foster spiritual wellness and community support.
David B. Smith makes fabric-based photo-sculpture, installation, and sound performance to explore fantasy, loss, commodity, and connection in American culture. To gain access to the back-end of cultural memory, he playfully rearranges iconography using pseudo programming code - comprised of digital and analog fragmentation, accreditation, and reorientation. He isolates patterns, crosses wires, and entertains poetic interpretations, making the once familiar strange and unsettling, yet oddly cozy. @davidbsmith_
Erin Aquarian is a multimedia artist based in Neerchokikoo / Portland, Oregon. Her work in video and new media art focuses on people, culture, art, and music. Erin learned to edit video by creating collages with found footage and enjoys crafting audiovisual art from old media—collaborating, in a sense, with unknown artists from the past to give their work new life and audiences. As an independent freelance media producer, she focus on documentary, music video and representation for microbusinesses and community care workers.
Tanya Marquardt is a writer and performer who splits their time between Lenapehoking/Brooklyn, Salish land/Vancouver, and Budapest, Hungary. Their book Stray: Memoir of a Runaway was named a Best Queer and History Bio by The Advocate, and Some Must Watch While Some Must Sleep, their play about being a sleeptalker, toured internationally and inspired an episode of NPR’s Invisibilia. They are currently writing a memoir called Creature, about reconnecting with their Hungarian roots as a Magyar queer, and will publish an excerpt in the Playwrights Canada Press anthology Do Trans People Dream of Electric Sheep. Their play HOUSE, a trans retelling of Henrik Ibsen’s A Doll’s House, is in development. @Tanya-Marquardt
jah elyse sayers (they/them) directs their creative energy toward liberatory placemaking through research, writing, artmaking, teaching, and building. you can find their writing in Wagadu, BRICLab Essays, Deem, and Society & Space Magazine. jah is currently a phd candidate in earth & environmental sciences at the graduate center, cuny. they prioritize poetic, participatory, and insurgent methods in their research and argue against methods that conscript particular people to particular places, instead calling for attentiveness to embodied relationalities and mobilities as people make place. their research offers theories of placemaking, experimental methods of place-based study, and activated praxes of protecting a place and its constituent placemakers and methods toward liberatory ends. they are the initiator and a member of the people’s riisearch group, a team of community-based researchers caring for histories, futures, and the now of queer riis beach and broader coastline ecologies.
La Casa de las Recogidas collective is made up of three visual artists from the Pontifical Catholic University of Chile: Andrea Cifuentes, Paula Martínez, and Laura Ibáñez. It was born in August 2018 (Santiago, Chile), in the context of the feminist movement that erupted in May of that same year. Its name arises as an exercise in re-signifying the former Casa de Recogidas of Santiago, established in 1723 during the colonial period—a correctional facility for women labeled as leading a “bad life,” subjected to discipline and social surveillance. If that institution aimed to teach what a latin american woman should be, then the collective seeks to unravel those imposed standards that still echo today. The collective has focused primarily on performance in public spaces, especially in contexts of social protest, where it invites more participants to collaborate. As part of its work, it has collaborated with Cecilia Vicuña and the Museo de la Solidaridad Salvador Allende (MSSA).
Muyassar Kurdi is a Palestinian-American New York City-based interdisciplinary artist. Her work encompasses sound art, voice, movement, painting, analog photography, and film. Her practice honors the futuristic and ancient through meditative movements and sonic sound explorations. Centered on embodiment with a non-linear approach rooted in improvisation, she explores memory, displacement, and the body in relation to nature.
Samantha Sea Sea is a performance and interdisciplinary artist born and raised in Brooklyn, NY. Her work often fuses poetry, ceremony, soundscapes, video projection and movement. Through these portals she explores themes such as ancestral legacy, African Diasporic spiritual practices, sensuality and motherhood.
Nadia Gomez’s visual art attempts to transmit the emotional landscapes, characters and stories that reside in and pass through her. Gomez works to grow more intimate with herself and the world with each passing day. She immigrated with her family as a young child from Lima, Peru to the DC area. Gomez earned a BFA in Communication Design from Virginia Commonwealth University and has lived and worked in New York since 2008. Gomez founded and organized Greenpoint Art Circle, a supportive membership-based cooperative for artists of all levels from 2019 to 2024 and I’m grateful that the group continues to thrive.
Halo Linn is an artist and writer exploring collaborative institution-building, site-responsive practices, and crowd-sourced archives. They are from New York, grew up in Baltimore, and live in Brooklyn.
Eileen Myles (they/them) is a poet, novelist and art journalist whose practice of vernacular first-person writing has made them one of the most recognized writers of their generation. Pathetic Literature, which they edited, came out in Fall of 22. a “Working Life”, their newest collection of poems, is out now. They live in New York & in Marfa, TX.
ABC No Rio is a volunteer-led nonprofit community center for arts and activism. Since 1980, we have provided a home for the culture of opposition – facilitating cross-pollination between artists and activists committed to social justice.
Madrona Redhawk is an indigenous artist residing in New York City. Her work in sculpture, illustration and makeup is categorized by maximalist color palettes and an obsession with cityscapes.
Huey-Min Chuang is a self-taught artist born in Taiwan, lived in Argentina, educated in Germany, Spain, and the U.S.A. She began to draw and paint at 48 years old at the height of the pandemic. She currently works and resides in Brooklyn, NY. Her artwork focuses on the theme of resilience. She seeks new ways of "seeing" by leveraging her intuition and sensation to convey psychological landscapes and emotional responses through forms, lines, cultural interpretations, and colors. They welcome her with alternative creative processes, imagination, and hues that bring forth a narrative of hope and infinite possibilities.
Jeremy Dennis is a contemporary fine art photographer, an enrolled Tribal Member of the Shinnecock Indian Nation in Southampton, NY, and the founder and lead artist of Ma’s House & BIPOC Art Studio, Inc., a nonprofit art space and residency program on the Shinnecock Reservation dedicated to uplifting Indigenous and BIPOC artists.
Valery Mejia is a New York based creative and content producer who loves exploring untold stories especially those tied to the city Mejia grew up in. With a background in communication design, she has found a rhythm in combining research, storytelling, and design to make history more accessible and engaging. Her video series Speedy History shares overlooked narratives in quick, thoughtful ways helping people see familiar places with a new perspective. She is especially drawn to stories that reflect cultural memory and identity, and I aim to share them in a way that feels both informative and human. Whether she is editing video, narrating, or designing visuals, she tries to create work that makes people pause and think, even for just a moment.
Lucia Ribisi is a Manhattan-based ecofeminist conceptual artist exploring how social movements might better leverage evil social media platforms for peaceful protest. Influenced by social practice, research-based art, Fluxus, and life-art traditions, her work asks: How can we transform despair into collective hope and action? @lucia4peace
Banji Chona is a Scholar of Zambezian Earth. Focusing on critical explorations of identity, memory, resistance and the communion of community through storytelling and healing, her work is rooted in the methodology of Radical Zambezian Reimagination. This is an offering of alternative historiographies and presentisms positioned to challenge socio-political and environmental fractures. By using "Zambezia" instead of "Zambia," she imagines an ancestral land beyond colonial projections and spatialities, fostering connections and healing beyond the imagined nation-state of Zambia. Chona has exhibited in both solo and group shows in Zambia, Italy, Norway, Germany, South Africa and Senegal. @banjichona
play:groundNYC is a nonprofit dedicated to transforming the city through play. They were founded by a group of artists, researchers and children’s rights advocates who wanted to create the conditions for adventure play in New York City. The programming began with a series of pop-ups in city parks; in 2016, they were invited by The Trust for Governors Island to openThe Yard—NYC’s only adventure (or “junkyard”) playground. Currently in their 10th season, The Yard serves 11,000 children each year. They remove an average of 12,000 lbs of construction and other materials from the waste stream, all of which are repurposed for children’s play. Junk is not precious, and therefore open to experimentation. Children see possibility in what others throw away. The Yard on Governors Island is free and open to the public on weekends from April through November, and offers summer camps, after school activities, community events and professional development programs for teachers, parents and the general public. @play_groundnyc
The Battery Park City Authority Children's Garden Club is a weekly program where gardeners six to ten years old steward and explore the parks and gardens around us! These young gardeners worked hard to create the beautiful collaged garden, using their imaginations and recycled materials. @bpca_ny
CUE Art is a nonprofit gallery space that works with and for emerging and underrecognized artists and art workers of all ages to create new opportunities and present varied perspectives in the arts. Our programs foster the development of thought-provoking exhibitions and events, create avenues for mentorship, and cultivate relationships among peers and the public. Since our founding in 2003, we have supported artists who experiment and take risks that challenge public perceptions, as well as those whose work has been less visible in commercial and institutional venues. CUE hosts the CUE Teen Collective (CTC), a free, year-long after-school program for high school students passionate about visual art. CTC offers behind-the-scenes access to the art world, demystifying career paths and inspiring students to develop their personal artistic voices. Through talks with artists and curators, gallery and museum visits, workshops, and more, students develop a deep understanding of arts practice while building a community of peers. The program culminates in a group exhibition in which students learn how to envision, produce, install, and communicate their work professionally and for a public audience. @cueart @cueteens
Yali Romagoza works at the intersection of performance, design, and art. She integrates her fashion design training with a visual art practice that spans video, installations, drawings, and experimental costume design. Her work has been shown at the North Carolina Museum of Art, The Immigrant Artist Biennial, Art in Odd Places, Satellite Art Show, Abrons Art Center, EFA Project Space, and PS122 gallery. She has received awards and residencies from Franklin Furnace, the SVA Art Residency, EmergeNYC, the Queens Art Fund, the EFA Studio Program, and the New York Latin American Art Triennial residency at Governors Island. In 2022, Ediciones Rialta published her book Cuquita La Muñeca Cubana, highlighting some of her most acclaimed performances. Romagoza holds a BA in Art History from the University of Havana and an MFA in Fashion Design from the School of the Art Institute of Chicago.
Resham Mantri is an artist, a single co-parent of two children living with her mother in an intergenerational home in Brooklyn. Resham makes art as a way of exploring grief practices across cultures, how we live together, and the power of loving. She studies grief, and shares with humans through offerings. Her art is one of those offerings. She is a writer focusing on essays that explore feeling our way through this life and interviews with creatives. Resham works as a death doula, a divorce doula, and also collects vintage textiles from India. She believes your capacity to love deeply is connected to your capacity to grieve deeply.
Hanna Tudor is a NYC based multi-hyphenate storyteller, creative, visual artist, and writer who meets at the intersections of arts, eco-justice, and politics. Her work threads through research of the liminal spaces between her own identities and understanding the role of art in spaces of intergenerational collectivity and nourishing community. She practices Minhwa, a Korean traditional folkloric painting to uncover how we engage and explore social justice movements by weaving together symbols of nature, political activism, and mythological worlds.
EarthAngelEmmy (she/her) is a performance artist, dancer, cultural researcher, model, fashion stylist, and social media marketer. Through performance, she spreads light onto the intersectionalities of her identity, and others, by challenging our culture and ancestral magic/trauma, as someone with Puerto Rican, Cuban and Italian heritage who grew up in New Jersey and NYC.
Dawn Stetzel is a visual artist from the United States living on the southern coast of Washington. Her body-activated sculptures become ambitious attempts at reimagining a sustainable existence. Using a tinge of the ridiculous, these works suggest struggles seeking opportunistic-existence within dysfunction and maintaining a sense of drive through political and environmental doom. Currently Dawn is exploring what makes people want to take part in treks, feats of endurance for activism and action spurring change through what seems unimaginable or impossible. She was awarded a 2024 Individual Support Grant from the Gottlieb Foundation in New York in recognition of the quality of her work and dedication to her art over a period of many years. She has a MFA from The University of Massachusetts at Dartmouth, exhibited widely including Grounds for Sculpture, Disjecta and the Portland Biennial, shown internationally and lectured in the United States, China and Brazil.
Andrea Coronil (USA / Venezuela) is an educator and interdisciplinary artist working in painting, drawing, printmaking, and sculpture based in Brooklyn, NY. Her work is grounded in research, focusing on marginalized histories of women and activists from an ecofeminist perspective. She often weaves in mythological figures and indigenous cosmologies from the Americas and Tibetan Buddhism, which she began practicing as an art student in Venezuela. She is the recipient of numerous teaching artist in residence grants through the SU CASA Creative Aging program. In 2023 she had a solo show, To Ride The Waves of Turtle Island, on Governors Island as an artist in residence with the Taiwanese American Arts Council (TAAC). Coronil holds a B.A. from the University of Michigan (Latin American and Caribbean Studies), a M.F.A from The City College of New York CUNY (Studio Art) and an M.A. from The New School (Anthropology).
Ramon Gabrieloff-Parish is a poet, Afrofuturist, astrologer, naive artist, creative ceremonialist and climate justice advocate. An associate professor of Interdisciplinary Studies at Naropa University his teaching and pedagogy explores intersections of environmental and social justice, embodiment, conflict transformation. His art deals with themes of the visionary imagination, myth, folklore and sci-fi especially through an Afrofuturist and ancestral futurist lens. He sees himself as a folk, naive or outsider artist influenced by traditions of romanticism, the blues, popular cultural media like comic books, animation and esotericism. Ramon dabbles in many media including acrylic and water colors, collage, cardboard, prints, sculpture, found objects, sound art, and spontaneous ritual, searching for that mysterious alchemical connection. His recently published book of poetry, Drama of the Planets, featured in this exhibit documents imaginal journeys through the World Soul and coming of age at the dawn of the new millennium.
Pratya Jankong is a self-taught photographer from Thailand, now based in New York. With a passion for visual storytelling, he works on personal projects, using photography to explore themes of immigration, community, culture, and human connection. As an immigrant, he is drawn to stories of resilience and belonging, capturing moments that reflect the shared experiences of people from diverse backgrounds. His ongoing project Sunday Leagues: The Meadow in Motion documents the immigrant soccer leagues of Corona Park, Queens—capturing the rituals, joy, and resilience of communities that gather every weekend to play, remember, and belong. He has a deep appreciation for the diversity of people and cultures, finding inspiration in the traditions, expressions, and everyday lives of individuals around the world. Through his work, he aims to celebrate humanity in all its forms.